The BandJune 7, 2010 Julie Ann(No. CA) 1 out of 1 found this review helpful
Just okay CD. For a "Greatest Hits" collection, there are some "not so great" mixed in with the great ones.
the bestApril 5, 2010 Carlton C. Loomis This album really takes me back to some of the best times of my life. Each one of the songs on here reminds me of a certain place,a certain time and adventures with some really good people in my younger days. It is deffinitely The Band's best stuff.
Good Intro For Casual ListenersFebruary 15, 2010 Kevin L. Nenstiel(Kearney, Nebraska) The good news is that this album puts The Band's most common radio hits together on a single CD, making this a good investment for casual fans. No more do you need to purchase "Music From Big Pink," "The Band," and "Cahoots" separately to get your favorite singles. Whether you want to listen in your spare time or burn your own roots-rock party disc, your Classic Rock Radio hits are in one place.
The bad news is that I can't understand the priorities used in choosing the tracks. Though songs like "The Weight" and "Up On Cripple Creek" are obvious choices, how did nobody think to include "Don't You Do It"? And since The Band was a highly regarded concert act, why are there no live tracks, nothing from "Rock of Ages," "After the Flood," or the "Woodstock" soundtrack album?
And why is there anything at all from "Moondog Matinee" and "Islands"? Though die-hard fans swear by several of these tracks, these albums were acknowledged as reach-arounds to satisfy the studio contract. How about off-loading these in favor of some of The Band's highly regarded live material? And how about shelving decades-old studio rivalries to get a few tracks included from "The Last Waltz"?
The liner notes, like the album itself, have the pious tone of a rock'n'roll hagiography. I recommend this album mainly for casual listeners or as a gift for a friend who you hope will discover the greatness of this act. It will make a good intro and will give them an idea of the general arc of The Band's development. Hopefully they will graduate to the more meaty substance of the original albums.
The Band's "Greatest Hits" is an Excellent IntroductionDecember 30, 2009 Mr. J. Stancliff(Earth) This greatest hits compilation is an excellent introduction to The Band's music, exhibiting the strengths and weaknesses associated with any such anthology. Omitted are a few of the best live versions of songs, including several of those from The Last Waltz. On the plus side, since the group was never a "Top 40" producer of hits and exemplified the anti-pop bands of their time, this collection is spared the excessive "fluff" which often plagues the greatest-hits compilations of more mainstream, popular bands. If you are a fan of The Band and you wish to introduce a friend to one of the best groups they've never heard, share this CD with them. If they like it, then give them a copy of "The Last Waltz" and they'll be well on their way.
An AOR selection of a Seminal BandDecember 29, 2009 Tim Brough(Springfield, PA United States) For a group of musicians that started out as sidemen to become a musical institution in their own rite, The Band are difficult to pigeonhole. In the days of free-form FM radio, slow-jam workouts like "Tears of Rage" would have filled the airwaves as a sort of musical education; these days it sounds almost archaically hippiesque. Given that maybe "Up On Cripple Creek" even plays on classic rock (if any of The Band gets played at all), this best of serves as a profile to one of the world's most influential groups.
The Band never really "rocked" in the sense that, say, a Deep Purple did, but they bent the musical talents that ventured around them to their peculiar gravity. When folks like Bob Dylan, Van Morrison, Joni Mitchell and even Neil Diamond are following your lead, you know you're wielding a pretty powerful force. The Band often pulled together strong elements of various styles (gospel, Memphis Soul, folk, rock) into the same song, like "I Shall Be Released" or the well known "The Weight" to synthesize these elements down to a sort of elemental beauty. They embraced American mythology even though they were primarily Canadian, maybe even more so than some of their US Counterparts. And when you added Garth Hudson's organ, you had a sound that no-one else was creating at the time.
As one would expect, this single set leans heavily on the seminal first two albums, and on guitarist Robbie Robertson's writing. The best known songs are here ("The Weight," "Up On Cripple Creek," "The Night The Drove Old Dixie Down") as well as a few choice selections, like their cover of Dylan's "When I Paint My Masterpiece." I would guess that since "The Last Waltz" was on a label other than Capitol, that explains its exclusion from this set, but nothing from the live "Rock of Ages" seems a bit odd. Overall, a solid eighteen songs if all you want is a quick The Band fix.
